A scene from the Jellicle Ball at the production of CATS at The Albany Theatre, Coventry (photo used with permission)
Jellicle Cats come out tonight, Jellicle Cats come one and all,
The Jellicle Moon is shining bright, Jellicles come to the Jellicle Ball.
Last night I attended the Jellicle Ball! And what a Ball it was! You may have read a previous post of mine back in April, when I wrote a review for a performance of the musical Fame, which was produced by a local Youth Theatre Group here in Coventry called Wing-It Theatre. Over the past few years they have produced a number of musicals including Spring Awakening, Hair, 42nd Street, West Side Story, Hairspray, Rent, and The Little Mermaid. This week they have presented their summer production and it was Andrew Lloyd Webber’s Cats, a delightful show based on T.S. Eliot’s Old Possum’s Book of Practical Cats. To my mind this was their most ambitious and most successful show to date.
The musical tells the story of a tribe of cats called the Jellicles, and the night that they make what is known as the Jellicle choice, and decide which cat will ascend to the Heaviside Layer, and then come back to a new life. One by one the cats tell their stories, and poor old Grizabella, the Glamour Cat, tries to join in but is shunned by the other cats, she is, however, able to have her say as she sings her song, Memory. Eventually she is the one chosen to go to the Heaviside Layer by the leader of the tribe, Old Deuteronomy, to be reborn to a new Jellicle life.
It is strange that a series of poems about cats should be turned into a piece of musical theatre, but it works, and it gives the performers ample opportunity to showcase many different styles of song and dance. Last night’s performance was superb, there simply is no other word for it. The youngest performer was eight years old, and the oldest in their early twenties; add to that the fact that the production team are all twenty somethings themselves, and we are talking about a very young company, but the wealth of talent meant that this production was worthy of a professional company.
The actor who played Grizabella brought the house to its feet with her rendition of the song Memory. I saw Elaine Paige play this role in the original London production back in the 1980s, but last night, Grizabella’s clarity and pathos were equal to that of a West End performer. Indeed the musicality, the diction, the choreography, and the simple but important mimicking of the feline gestures were all first class, and in one sense it is unfair to single out one character, because there were no weak performers in this production at all.
It was great fun to hear the stories of Bustopher Jones, the cat about town, Gus, the theatre cat, Skimbleshanks, the railway cat, Macavity, the mystery cat, Mr. Mistoffelees, the conjuring cat, Rum Tum Tugger, Mungojerrie and Rumpleteazer, and all the others as they told us their stories, with their dancing, their antics and their gymnastics.Of course, none of this happens without guidance and the very talented and inspiring young production team which provides that, all have a background in musical theatre or choreography. My friends Callum and Hannah the producers and directors of Wing-It Theatre are professional actors, Andy the choreographer is a member of Matthew Bourne’s New Adventures Dance Company, and Charlie has just finished a run in the West End. They can be justly proud this week that the nearly sixty strong cast pulled the proverbial cat out of the bag and gave us an experience that we will not forget!